Album Review: "Spilled Milk" by Top $ Raz

1. Spilled Milk w/ Additional Vocals by Mayo Bass
Feeling the mellow beat. The chorus is well written and sounds official with the background singer. “It’s all spilled milk, but you can’t let it stain”. The beat production is a tight fit for Raz, props to Thinker. This is real talk here and good topical cohesion to boot. Dope imagery. Nice outro by Mayo. I could nitpick and say the flow could have been more diverse, but I don’t feel this track really needed it. As an intro track, it definitely served its purpose.

2. No Tears
Starts up with another mellow beat that lets you vibe out. Flow is different on this one and works pretty well with the beat. I’m not feelin’ the delivery on the first verse that much though, sounds somewhat monotone. This chorus is alright. Second verse drops some eye-opening personal lines. Content was on-point. Not feeling this track as much as “Spilled Milk” though.

3. Get Up, Get Her
This beat is knockin’ a bit. “Underground like Broadway Junction”… I had to quote that; I’m in that station every damn week. Here’s a welcome change of pace, flow, and delivery. “Tryna get an advance”, nice. “Get it crackin’ like eggs”, a little too obvious but delivered well. The chorus is okay, but the delivery is somewhat quirky. Perhaps a hushed and “sexy”-like voice would have worked better for those “If you want that girl”/”They wanna front” etc. parts of it. “Get high like apostles”, forced. “Party like a rockstar, pissin’on a cop car”, haha! The third verse wasn’t impressive, but had a cool flow.

4. Dead!
I love this beat. Vivid imagery. Paints an accurate picture of how no one really gives a fuck about the dirt that goes on in the hood. “20 years later no killer is found”. Delivery fits the beat well, very smooth and calm. Nice vocal effects. *For more on this song, peep my review of the Fighting For Futures Mixtape (Feb. 2010).

5. Far Rock ’95 ft. Mike Love & Vithym
“Moving like Commander Cobra”, hehe, I like that reference. Really digging Top’s delivery and flow on this verse. 2nd MC – Interesting voice that stands out. “Ounce in a shoe”, haha, really?? Nice flow and delivery. 3rd MC – Flow is ok but somewhat erratic.

6. Cold Blooded ft. Imagine That
IT – Nice flow, could be tighter though. Delivery on point. “But hoping I could catch a little light”, decent. Raz has a good voice. Nice rhyme scheme. “Built my city on rock then rolled”, pretty tight flip on a common metaphor. Lyrics were mediocre.

7. Perfect Stranger
Calm but scheming beat, I likes. “Baker man/pies”, played. Interesting concept, but lyrics are rudimentary. “Elevator/stares” punch-line is tight but could have been written better. “Diamonds/full deck of cards”, not bad. Flow is elementary on this track as well. Hehe nice Cosby impression on the outro.

8. Be Gone ft. Kalil Kash
Kash – vocal production not on par with Raz’, sounds echoey. Overdose of adlibs, reminds me of the commentary track on DVDs. Tight delivery. “Barry Bonds” line was too simple. Feeling this chorus and the sax that plays during it.
Raz - “You’re not pussy, you’re a yeast infection”, nice. Digging Raz’ delivery on this track.
Kash – “Cream”/money, played. “Booted” line was played too. Definitely not the best I’ve heard from Kalil.
Raz – “You cannot reset or press pause”, played but flipped and delivered nicely.

9. Burning Bridge ft. Scienze
Ear-catching, playful beat. Nice start. I can relate to this, dope concept. The singing isn’t good but I really like the chorus.
Scienze – Tight flow and delivery. “Cause be/Cosby”, not bad. “Clear/Dare” rhyme scheme was sick. “Broken pod”, ok.
Raz – “Rewind”, decent line but the effect and delivery made it dope.

10. Wo(men)
A nice, different style of beat with a similar feel to some of the others. I’m a sucker for good piano melodies. Cool plant allegory. The metaphorical transition in the second half of the verse was a little vaguer. The chorus is powerful in terms of how the beat changes and how Raz’ lyrics and delivery fit on it. Vivid imagery. “When you get to heaven you’ll be a n***a too”, WOW.

11. Farewell
Another absorbing piano melody. Ok first verse. The chorus is bananas with the imagery and delivery. “Anyone of us could have been Sean Bell”, that is deep. ‘He didn’t realize we tied to the same rope”, nice. Beatles references.



Strengths
+ Raz has a great voice, especially for the type of topics he covers.
+ Delivery was on-point for the most part.
+ Song topics and concepts were relevant, personal, real, and unique. Although, some elements, such as lines about slinging crack, were over-abundant.
+ Great beat selection.
+ Well-constructed album that doesn’t just die off towards the end. It starts strong and ends strong with good content in the middle.

Weaknesses
- Flow was fairly simple and repetitive/recycled throughout the album.
- Some lyrics were too basic and not accentuated with enough poetic devices.


Compatibility Rating:
Underground: 40%
Mainstream: 60%


Favorite Song: Spilled Milk


Face Value: 8.4/10


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